Home
|
Editorial Board
|
About Journal
|
Instruction
|
Subscriptions
|
Contacts Us
|
中文
Office Online
Submission Online
Peer Review
Editor Work
Editor-in-chief
Office Work
Journal Online
Accepted
Current Issue
Advanced Search
Archive
Read Articles
Download Articles
Email Alert
Quick Search
Advanced Search
2020 Vol.37 Issue.2
Published 2020-03-15
Dialogue on Civilization and Cultural Comparison
Special Zones and Chinese Road
Economic Growth and Financial Innovation
Urban and Rural Construction and Social Governance
Innovation Economy and Cultural Industry
Social Sciences and Chinese Spirit
Political Science and Rule of Law
Dialogue on Civilization and Cultural Comparison
5
Changes in the Image of Hackers in Sci-fi Movies: from Anti-culture Figures to Saviors and then to Security Experts
HUANG Ming-fen
Hackers emerge in the information revolution with the computer as the leader. Hackers share many similarities with punks, phreaks, and swordsmen, but what is different about them is that hackers affirm their appeal for independence, emphasize technical tendency, and moral objectives. “Hacker’s mirror” is a metaphor for the function of sci-fi movies, which contains three possible meanings: the mirror used by the director to project the image of the hacker, the mirror used by the audience to observe and recognize the hacker, and the mirror used by the hacker to project or understand the world. It is reflective of the specific way hackers observe the world, because this way is not only characteristic of the hacker’s image, but also the starting point to understand hackers, and could be valuable for hackers’ introspection. The above-mentioned method is characterized by seeing the daylight from the darkness ( “黑”), seeing the subject from the object (“客”), and seeing the reality from the virtual world (“镜”). With the further development of information revolution, hackers in the creative production of sci-fi movies may have more diverse images due to wider scope, internal differentiation and role changes.
2020 Vol. 37 (2): 5-9 [
Abstract
] (
20
) [
HTML
1KB] [
PDF
593KB] (
983
)
14
American TV Series as a Cultural Product: their Mainstream Types, Industrial System, and Ideology
CHANG Jiang, TIAN Hao
American TV series, an important carrier of American culture, circulate all across the world. We can look at American TV series from three dimensions of their mainstream types, industrial systems and ideology. In terms of the mainstream types, with the increasing integration of broadcast channels and TV culture, American TV series are not limited to comedies and dramas, but have developed diverse genres in recent years. In terms of system and organization, American TV programs are essentially industrialized pop culture products, and American TV series is one of the most powerful cultural exports of the United States. The number of national broadcast platforms of American TV series are very limited, maintaining a relatively balanced oligopoly. In terms of ideology, American TV series have been adapting to changes in the world. Under different historical conditions, American TV series articulate different thoughts and discourses, and feature de-radicalization in strategy. The entire American TV series industry has always adhered to the establishment of its own unique production, aesthetic and cultural standard system, and practitioners in American TV series have made great efforts to coordinate the relationship between commercial interests and quality standards. The whole industry of American TV series consciously define the ideology of its products, instead of directly presenting a specific and crystallized ideology. It is really necessary for Chinese TV industry to define an appropriate ideological strategy. These characteristics and strategies of American TV dramas are valuable experiences for China’s TV drama industry to learn from.
2020 Vol. 37 (2): 14-22 [
Abstract
] (
27
) [
HTML
1KB] [
PDF
538KB] (
814
)
23
History and Strategy of the Circulation of US TV Series in China: an Analysis from Perspective of Cultural History
LIU Yi-chen
American TV series is the most widely spread and influential type of program of American TV industry in the world, and it has been circulating in China for nearly 40 years. The circulation of American TV series in China has gone through four stages: the introduction and circulation of American TV series in the 1980s, the circulation of American TV series driven by consumer civilization in the 1990s, the invisible transmission of American TV series at the beginning of the new century, and the stage of legitimate transmission of American TV series on the Internet in the 2020s. The circulation of American TV series in China is a typically type and differentiation communication, and its impact depends on the cultural needs of the audience. Due to the different historical themes with social changes and the diverse acceptance motivations of audiences, the mainstream types of American dramas represented by sitcoms, sci-fi dramas and action dramas are the most popular categories in China, which is involved in the construction of Chinese contemporary popular culture in a unique way. In addition, from the three dimensions of production and broadcasting, marketing and value, the following communication experience can be found in American TV series in China: various American TV series require them to not only strictly regulate themselves in the production and broadcasting process, but also carry out commercial marketing activities in pursuit of profit. At the same time, different kinds of American TV series are more committed to covering common topics of as many social groups as possible, winning the greatest value identification in the world, and relentlessly pursuing the essential goal of cross-cultural and cross-regional communication.
2020 Vol. 37 (2): 23-31 [
Abstract
] (
24
) [
HTML
1KB] [
PDF
573KB] (
1237
)
Special Zones and Chinese Road
32
Historical Logic and Experience Enlightenment of the “four-in-one” Function of Shenzhen Special Economic Zone in the Past 40 Years
LUO Qing-he, ZHANG Chang
August 26, 2020 will mark the 40th anniversary of the Shenzhen Special Economic Zone. Over 40 years, Shenzhen has been successively designated as a Special Economic Zone, a free trade zone, the Guangdong-Hong Kong-Macao Greater Bay Area, and a pilot demonstration area. It has evolved from a “window and experimental field” in the early reform and opening up period to a benchmark for the national reform and opening up in the 1990s (the establishment of the socialist market system), and then to a benchmark for an international city of socialism with Chinese characteristic in the new era under the leadership of XI Jin-ping, which interprets the historical logic of China’s reform and opening up in the past 40 years. As the “window”and “experimental field”of China’s reform and opening up, Shenzhen Special Economic Zone aims to break the shackles of traditional planned economic system and explore a new system of socialist market economy that is conducive to economic and social development. Shenzhen’s Qianhai District of China (Guangdong) Pilot Free Trade Zone was established when China comprehensively deepened the reform and opening up. It aims to further deepen the reform of the special economic zone. It is a well-rounded experiment initiated by China in the global economic competition, and it can be called an upgrade of the special economic zone. At present, the CPC central committee and the State Council have designated Shenzhen as a pioneer demonstration zone for socialism with Chinese characteristics, and endowed Shenzhen with the historical mission of promoting reform and opening up at a higher starting point, at a higher level and with a higher goal, continuing to explore the socialist road and building China into a great modern socialist country. The development of Shenzhen from the Special Economic Zone to the Free Trade Zone and then to the Pioneering Demonstration Zone of socialism with Chinese characteristics illustrates the deductive logic of the path and goal of China’s reform and opening up.
2020 Vol. 37 (2): 32-40 [
Abstract
] (
26
) [
HTML
1KB] [
PDF
558KB] (
1214
)
41
International Image of Shenzhen City: Expert Opinion and Public Perception outside China
TANG Lei
The international image of a city is not only an important part of its soft power, but also a reflection of its comprehensive strength. This paper presents the international image of Shenzhen as an emerging international metropolis from the perspective of its rating at the international level, opinions from scholars, media reports and netizens’ comments in English online communities. In the 1980s, the international community’s perception of Shenzhen was mainly shaped by foreign scholars and journalists, and the international image of Shenzhen was mainly presented as a “special economic zone”. Since the beginning of the 21st century, Shenzhen has gradually developed into one of the most important high-tech research and development and manufacturing bases in the world, and its international image has also been gradually transformed. Shenzhen has won the reputation of “the silicon valley of hardware” and “Mecca of Tech”, and its culture of “encouraging innovation and tolerating failure” has got a lot of attention from the international community. The observation on the micro level shows that Shenzhen’s image in the eyes of people outside China is more diverse. On the one hand, as an emerging international metropolis, Shenzhen has presented a good international image in terms of technology, innovation and livability. On the other hand, in comparison with other first-tier cities in the world, Shenzhen has yet to be improved in business, livability and cultural experience.
2020 Vol. 37 (2): 41-49 [
Abstract
] (
90
) [
HTML
1KB] [
PDF
650KB] (
579
)
Innovation Economy and Cultural Industry
50
Why Public Culture Construction Can’t Enhance Supply-side Financial Investment: An Explanation Framework
FU Cai-wu, LI Yan-ting
With the national strategic goal of accelerating the construction of a modern public cultural service system, increasing the financial investment in the cultural industry and public cultural sectors has become the material means and policies and measures to implement the national strategy. However,the observation of the cultural sectors at the grass-roots level shows that the fiscal investment through the traditional cultural industry is a supply-side guarantee. This elevates the production capacity of the public products of the cultural sectors, but also has significant negative impacts, which are primarily the closure and “soft contraction” of the industry caused by consolidated industry interest, and the “institutional idling” and supply-side inefficiency caused by the internal circulation of resources in the system. To establish a modern system of public cultural services, we need to adjust our scheme and policy. By virtue of the platform function of digital information technology, we need to realize the overall transformation of macro policy-making, promote the policy benchmark to shift from the supply-side public input logic of “state-cultural units” to the consumption-side incentive logic of “state-individuals”, and guide the performance improvement on the supply side with policy innovation on the cultural consumption side, thus rebuilding the legitimacy of the public cultural policy, and guiding the transformation of the current national cultural undertaking system to the national public cultural service system through macro policy innovation.
2020 Vol. 37 (2): 50-64 [
Abstract
] (
9
) [
HTML
1KB] [
PDF
664KB] (
1270
)
65
Integrated Development and Transformation of UK’s Innovation Industry in the Context of Digital Economy Strategy
JIN Xue-tao, LI Kun-fan
The continuous upgrade of digital technology has brought the whole world into an ever-expanding digital economy. British government has made proactive response by implementing the strategy of digital economy and promoting the integration of innovation industry and digital technology to form a new “Createch” industrial model. The focus of UK’s digital strategy has shifted from infrastructure construction to industrial application, and from being product-and technology-oriented to being people-oriented, and innovation industry has been digitalized from both the demand and supply sides. With the digital economy strategy, the overall Britain’s innovation industry has achieved remarkable growth. Digital integration leads the development of the sub-industries in innovation industry, and the seamless penetration of digital technology has enhanced copyright input and output of the innovation industry. According to the analysis of the value added, trade value and employment rate of the innovation industry, driven by digital economy policy, UK’s innovation industry is undergoing transition. The sub-industries of innovation industry integrated with digital technology develop rapidly, pushing the optimization of industrial structure. Digital integration has elevated the upgrade of traditional industries and the growth of new industries. The clustered development of “tech+ industry” promotes the optimization of industry layout. Both the demand side and the supply side further enhance people-oriented digital application.
2020 Vol. 37 (2): 65-73 [
Abstract
] (
17
) [
HTML
1KB] [
PDF
539KB] (
509
)
74
Digital Culture Industry: An Industrial Mode and Path for Rural Economic Revitalization
LI Xiang, ZONG Zu-pan
Digitalization is a new stage and new direction for the development of rural economy. It can accelerate the information-based transformation of rural economy, help rural areas make better use of their poverty alleviation resources and take targeted measures to ensure that assistance reaches poverty-stricken villages and households, turn a new page of urban-rural economic integration, and promote emerging rural industries. The construction of digital villages can quickly make up for the technological deficiency in the development of rural cultural industry, and bring about positive integration with rural economy. In terms of technology, digital media provides new support for rural cultural revitalization. In terms of talents, the cultural quality and digital literacy of new professional teams has been continuously improved. In terms of capital, social capital moves more quickly to agriculture and rural areas. In terms of demand, rural digital cultural consumption shows an explosive growth. Digital culture industry can be directly incorporated into the modern rural economic system and become a new type of industry with huge potential of development. It can also be regarded as a converter of urban-rural integration and industrial integration to advance the development of other rural economic areas. The“digital content+communication” mode based on rural ecology uses digital content as a communication medium to expand rural economic growth channels. The“digital creativity+product” mode based on rural culture activates cultural elements with digital creativity, which can enrich the supply of rural cultural products. The“digital platform+cultural tourism” mode based on rural resources uses the digital platform to drive business innovation, which can open up online cultural tourism. The“digital tool+maker” mode based on rural subjects brings more innovation ideas with digital tools, which can stimulate makers to engage more actively in rural economy.
2020 Vol. 37 (2): 74-81 [
Abstract
] (
32
) [
HTML
1KB] [
PDF
522KB] (
1453
)
Economic Growth and Financial Innovation
82
Innovation Capital Formation: Primary Objective and Construction of “Two Areas”
HU Yao-ting, CHEN Zuo-hua
At present, international trade frictions keep flaring up and are likely to continue for a long time to come. Destabilizing factors affecting global economic growth are on the increase. China’s economy is facing great challenges in the process of shifting to high-quality development. In recent years, the CPC central committee has launched two national strategies, namely, the construction of Guangdong-Hong Kong-Macao Greater Bay Area and the pilot demonstration area for socialism with Chinese characteristics (hereinafter referred to as the “two areas”), as major plans for implementing the strategy of innovation-driven development. The primary objective of the construction of the “two areas” is to cultivate the Guangdong-Hong Kong-Macao Greater Bay Area and Shenzhen as an innovation capital formation center. Currently, this region is pretty well-prepared for this objective in terms of economy, human resources, and innovation capacity, and also has an edge in policy and institution, and advantages of being a financial hub. To build a world-leading innovation capital formation center, it is necessary to construct a transparent, open, dynamic and resilient multi-level capital market, to accelerate the reform of Chinext and launch pilot projects in the registration system of IPO Stocks, promote the development of the venture investment market, to a first-class ecosystem for innovative capital, to steadily open up the market, and to push forward the connectivity and factor integration within the “two areas” region.
2020 Vol. 37 (2): 82-90 [
Abstract
] (
24
) [
HTML
1KB] [
PDF
630KB] (
607
)
91
Evolution and Innovation Capability of the Innovation Ecosystem in the Greater Bay Area: Based on a Comparison with the San Francisco Bay Area
DUAN Jie
The Bay Area is an important growth pole in leading global economic development and technological innovation. The development of the innovation ecosystem in the bay area shows an evolutionary path from the incubation stage to the development stage and then to the maturity stage. From the perspective of the evolution of the innovation ecosystem, this paper expounds on the evolution path of the bay area, and makes a comparative analysis of the evolution process of the Guangdong-Hong Kong-Macao Bay Area and the San Francisco Bay Area in the major elements of the system, such as innovation subjects, innovation resources, innovation environment and innovation capability. The results show that the San Francisco Bay Area is in a mature innovation ecosystem, which has an innovation ecological network with innovation companies as the basis and the close collaboration between enterprises, universities and research institutes as its core. And it gathers high-quality talents and venture capital, boasts a full-fledged sci-tech legislation system and a dynamic innovation atmosphere. In comparison, the Guangdong-Hong Kong-Macao Greater Bay Area, despite a large innovation base, is faced with a shortage of high-quality research institutions, high-level talents, insufficient investment in basic research, and many impediments in original innovations, and has not established a mature sci-tech policy system and multiculturalism. The Guangdong-Hong Kong-Macao Greater Bay Area is still in the early stages of growth and there is still huge room for development. Drawing on the successful experience of the San Francisco Bay Area, to push the innovation development of the Greater Bay Area, we need to take following measures: attach importance to the innovation output evaluation mechanism and pay attention to the improvement of innovation quality; promote further collaboration between enterprises, universities and research institutes, upgrade the innovation cluster with knowledge spillover; optimize the cultivation of innovative talents, focus on the deep integration of technology and finance; and promote coordinated development of the Greater Bay Area and cross-border flow of essential factors.
2020 Vol. 37 (2): 91-99 [
Abstract
] (
21
) [
HTML
1KB] [
PDF
785KB] (
1078
)
Political Science and Rule of Law
100
Functional Implication, Problems and Innovation Approaches for the Government’s Public Cultural Service
LI Yong-fang
Simply put, the government’s public cultural service function is the responsibilities and functions the government fulfills in the field of public cultural service. Its responsibilities include determining the strategy for cultural development, formulating policies for cultural development, building platforms for cultural development, ensuring funds for cultural development, evaluating the performance of public cultural service, and maintaining national cultural security. Its functions mainly include integrating communication, guiding service, safeguard and defense, regulation and supervision, resource allocation and so on. The government’s public cultural service function has the basic characteristics of politics, publicity, service, systematicness and innovation. At present, the problems with the government’s public cultural service function is mainly reflected in the misunderstanding of the concept of service, unclear definition of service functions, poor service ability, insufficient supply of service, lower service level, and imbalanced development of service functions. The root cause for these defects lies in the boundary division between “government and market” in institutional transformation and reform. In the future, the government should raise its awareness, specify scope, improve approaches, perfect system construction, increase funds and investment, maintain balanced development, strengthen supervisory mechanism and performance evaluation system, and promote the innovation of the government’s public cultural services.
2020 Vol. 37 (2): 100-107 [
Abstract
] (
17
) [
HTML
1KB] [
PDF
511KB] (
805
)
108
An Empirical Analysis on the Personal Attributes and Performance Behavior of NPC Deputie
LIU Le-ming
There is an internal relationship between the individual attributes and performance behavior patterns of NPC deputies. Using the data of the professional background, education background and the nature of the proposal of the 11th NPC, through the analysis of cross list and scatter chart, it is found that 595 proposal deputies present three kinds of performance behavior patterns: Civil servants, Burkean trustees and Professionals. The interaction of professional background and educational background in the individual attribute influences the preference of the proposal in two aspects of Aims and Source of Judgment, and the latter two jointly shape the behavior mode of deputies. Direct elections are not the only way to establish a connection between deputies and voters. In the indirect election mode of the NPC, deputies to the NPC can establish a harmonious relationship and high-quality and efficient connection with the people through their own professional. More than 60% of the deputies of Civil servants and Burkean trustees are cadres within the system, they play a mainstay role in the Legislature. The proposals made by the deputies of entrepreneurs, professors, doctors, scientific and technological personnel and other professionals from the grass-roots are more grounded. From the perspective of improving performance and responsiveness, expanding the proportion of grassroots deputies is an optional way to optimize the structure of deputies to the People’s Congresses. The deputy’s performance of Civil servants is highly dependent, so it is of great significance to improve the performance of deputy’s performance by the construction of assistant organization.
2020 Vol. 37 (2): 108-116 [
Abstract
] (
27
) [
HTML
1KB] [
PDF
544KB] (
648
)
Urban and Rural Construction and Social Governance
117
Regional Emergency Coordination Mechanism and Efficiency Optimization in Covid-19 Prevention and Control
WANG Wei-quan, TAO Dong
As Covid-19 is highly contagious and a serious threat to human life, health, and economic and social order, it is particularly urgent and important to coordinate across-region emergency response. Researches on regional emergency collaboration at home and abroad have formed a complex, diverse and integrated knowledge system, but there are few literatures in this regard from the perspective of public health emergency. During the Covid-19 epidemic, in regional emergency coordination we must make each unit in the whole region interconnected to realize the optimal combination of public health emergency resources in the region. China has established a new vertical joint epidemic prevention and control mechanism with the top leaders of local party and government taking dual responsibility, which plays an important role in the early warning about the risks of the epidemic, allocation of public health resources, emergency response and reconstruction after the epidemic. In order to optimize the efficiency of regional emergency response, it is urgent to address the issues of cross-region efforts, conflicts in territorial management, and fragmented resource allocation, and promote process coordination in the life cycle of the epidemic management, so as to improve the crisis management system and governance capacity of public health emergency in urban China.
2020 Vol. 37 (2): 117-123 [
Abstract
] (
15
) [
HTML
1KB] [
PDF
542KB] (
1627
)
124
Functions and Improvement Measures of the Credibility of Grassroots Party Organizations in Major Public Emergency Crises
LI Gui-qiu
Public crisis and the credibility of the grassroots party organizations are interrelated: the credibility of the grassroots party organizations determines whether the crisis is resolved or intensified. Public crisis is a special field affecting the credibility of the grassroots party organizations. It provides opportunities for the party organization to provide specific support, but the specific support decreases when the crisis gets less serious, and the credibility of the party organization changes accordingly. However, the specific support disappearing as the crisis comes to an end will be cherished by the public, and become the basis for more supports, which lays a foundation for maintaining and improving the credibility of the party organization. Therefore, the grassroots party organizations should take the current crisis of Covid-19 as a special opportunity to improve their credibility and help resolve the crisis. Considering the special situation of the public crisis and the multidimensional nature of credibility, it is necessary to improve the credibility of grassroots party organizations and resolve the public crisis from four aspects: in terms of credibility competence, we need to enhance the ability of the grassroots party organizations to deal with crisis; in terms of credibility openness, we should make the information of the party organization fully open; in terms of the object characteristics of credibility, the party organization should prioritize sense of responsibility and commitment; in terms of subjective psychology of credibility, the grassroots party organizations should raise their awareness of community.
2020 Vol. 37 (2): 124-131 [
Abstract
] (
17
) [
HTML
1KB] [
PDF
514KB] (
697
)
Social Sciences and Chinese Spirit
132
On the Construction of Symbiosis Civilization in Post-risk Society
TANG Dai-xing
National states break settled geopolitical patterns to enter the world market for the maximization of its own interests, and the resulting globalization conflicts will inevitably scale up to gaming at cultural level, and the orientation of the gaming environment is to rebuild symbiosis civilization. In this view, globalization jointly promoted by international community today is a self-rescue process of the post-risk society when humans work in concert to rise above environmental, technological, economic and political crisis, and its primary objective is to find basic solutions to these crises at global level. To make this idealistic global way a really feasible solution to resolve emerging new cultural clashes, and build symbiosis civilization, we need to make all measures in globalization should follow the rules of global community, and take universal equality and freedom as the impetus, common values as the guideline, the principle of common interests as the ethical norm.
2020 Vol. 37 (2): 132-142 [
Abstract
] (
18
) [
HTML
1KB] [
PDF
762KB] (
468
)
143
Evolution of Marxist Political Philosophy: A Continuous Separation Process in Intellectual History
YANG Rong
How did Marx’s political philosophy come into being? From the perspective of the “separation” process in intellectual history, Marxist political philosophy has experienced three major transformations. For the first time, according to Epicurus’ new understanding of philosophy, Marx interpreted philosophy as practical philosophy, and then turned to the “political dimension” of practical philosophy, which was different from the “ethical dimension” of Epicurus’ practical philosophy. For the second time, deeply influenced by Rousseau, Marx’s political philosophy focused on the “publicity” issue, and resolving conflicts between individuals and communities, individuals and society, and traced the root of conflicts to economic field, which opened a “economy-politics” research approach different from Rousseau’s “moral-politics”. For the third time, Marx drew on Proudhon’s critical reflection on economic equality, trying to find solution to economic equality in production, and put forward “production justice” in opposition to Proudhon’s “right justice”. On the whole, Marx gradually shifted his focus of research along the route of “philosophy-practical philosophy-political philosophy-’economy-politics’-productive justice”, and finally established his political philosophy.
2020 Vol. 37 (2): 143-151 [
Abstract
] (
11
) [
HTML
1KB] [
PDF
533KB] (
531
)
152
Separation of Poetry and Music and Open-ended Interpretations of Cricket
CAO Sheng-gao, LI Shen-xi
The Book of Poetry and music were originally symbiotic. Cricket recorded on Tsinghua Bamboo Slips was an impromptu song sung by Duke Zhou. According to Ji Zha’s comment on music of Zhou Dynasty, Tang Feng (唐风) was composed by Taotang. The anthology of Feng poetry is classified by sound. Cricket is included in Tang Feng because it was performed with the music of Taotang, and Ji Zha made comments on the meaning in its music. In the time of Confucius, both poetry and music were popular. He discussed the theme of Cricket with “the music of Taotang”, and also the meaning of the poem and music. The music of Zhou Dynasty was lost after the Han Dynasty. The meaning in the music of Cricket was therefore forgotten while more attention was attached to the meaning of the poem. Confucian scholars of the Han Dynasty could only draw on the predecessors’ conclusion that poetry and music were inseparable. Henceforth, the interpretation of Cricket was gradually less about the meaning of its music but more about the meaning of its text. Cricket was then deconstructed as a satirical text and there have been more open-ended interpretations of Cricket ever since.
2020 Vol. 37 (2): 152-160 [
Abstract
] (
30
) [
HTML
1KB] [
PDF
596KB] (
581
)
News
Download
Links
Copyright © Editorial Board of
Supported by:
Beijing Magtech