Abstract：The allusive imagery of“Yi Zhang” appears frequently in ancient Chinese poetry, forming a poetic culture and poetic form with Chinese characteristics. From the daily help to the poetic thing that touches the soul and concerns life and death, the “staff” has roughly experienced three subculture changes of divinity (the thing of God), humanity (the thing of utensils) and material (the thing of objects), opening up a poetic way of survival different from the ultimate concern of western religions.In ancient china, the allusive imagery of“Yi Zhang” act as an elephant flickered with the radiance of divinity, humanity and materiality. Through this, the poets of ancient China created a series of great poems, creating three typical poetic contexts: the context of “Arrange text based on allusive imagery”, the material realm of “communicate with the spirits through images”, and the object realm of “kind and not superficial”. They created an aesthetic paradigm of spatialization of time about action poetry. Different from the static object, the allusive imagery of“Yi Zhang” is the poetic expression of the poet's returning to the idyllic mind and the unity of the characters in his old age. It not only records the life experience of the ancients, but also reveals the historical truth of spirit movement, times change and cultural anxiety. Its poetic writing has a value that cannot be replaced by general history. In today's increasingly serious objectification, it has the double value of poetics and existentialism to reflect on the poetic relationship between people and things, to construct the poetic world of“material have but human lose the essence” and to set up the poetic life of “living to death”.
殷学明. 中国古代倚杖事象的诗意建构[J]. 《深圳大学学报》（人文社科版）, 2023, 40(4): 26-35.
YIN Xue-ming. The Poetic Construction of the Allusive Imagery of “Yi Zhang” in Ancient China. , 2023, 40(4): 26-35.
2023, Vol. 40 
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