Abstract：Fu, as the art of language and time, can be inter-textual with painting, which is the art of perspective and space. WEI Cui's Ramming and Washing Silk Fu and ZHANG Xuan's Ramming and Washing Silk Picture were both born in the Xuanzong era. Their creative commonality were reflected in the Tang Dynasty's phenomenon of ramming and washing silk as the prototype, and by clarifying misreading and restoring life, they had become classic literary works that interpreted inter-textual between language and image of the prosperous Tang Dynasty. The key to the excellence of WEI's Fu and ZHANG's picture lied in their artistic conception, which characterized by their broad and consistent ability. From the perspective of artistic emphasis, WEI's Fu fully expressed associations and emotions through the clue of hearing anvil, while ZHANG's picture mainly demonstrated the superb techniques of observing objects and selecting images through disassembly and reorganization, concealment and addition, reproduction and inheritance. From the perspective of artistic personality, WEI's Fu embodied the characteristic of introspection, paying special attention to integrating self-awareness to achieve sublimation of ideas. ZHANG's picture had the highlight of vivid charm, which could be said to coexist with spiritual charm and dynamic feeling. WEI's Fu and ZHANG's picture stand out in their independence, enhanced each other's beauty, and both unsurpassed, objectively demonstrated the eternal charm of the literary and artistic spirit of the prosperous Tang Dynasty.
阳清. 赋画双绝：魏璀《捣练赋》与张萱《捣练图》[J]. 《深圳大学学报》（人文社科版）, 2023, 40(4): 36-43.
YANG Qing. Fu and Painting Both Unsurpassed: WEI Cui's Ramming and Washing Silk Fu and ZHANG Xuan's Ramming and Washing Silk Picture. , 2023, 40(4): 36-43.
2023, Vol. 40 
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