The Comparative Perspective and Holistic View of Aesthetics of the “Urban Generation” Filmmakers
ZHAN Di1, 2
1.College of Arts and Journalism, Sichuan University, Chengdu, Sichuan, 610044;
2. College of Media and Communication, Shenzhen University, Shenzhen, Guangdong, 518060
Abstract：In contemporary movie industry, in chronological sense, “the sixth generation filmmakers” are called “the urban generation” by Western academics. They use their cameras focusing on the ever changing urban society, and try to engage into a dialogue with their Western counterparts in aesthetics. The “absent” Chinese traditional culture is actually “present” in all their movies, providing them with rich spiritual nourishment. As to the techniques, the Italian Neo-realism, the French New Wave, and American New Hollywood allow them a deeper understanding of modernity. Their movies, aesthetically linking tradition and reality, and East and West, are shaped to have a holistic view of aesthetics with a bit of “neo-realism”.
战迪. 都市一代影人创作中的比较视野及其美学整体观[J]. 《深圳大学学报》（人文社科版）, 2015, 32(4): 135-139.
ZHAN Di. The Comparative Perspective and Holistic View of Aesthetics of the “Urban Generation” Filmmakers. , 2015, 32(4): 135-139.
2015, Vol. 32 
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