Abstract：Red artworks are works of art that, under the leadership and organization of the CPC, literary and art workers use image symbols to visually narrate the vast history of the CPC's century-long struggle with major historical events and important historical figures as themes. Organizing and creating red artworks, publicizing the CPC's propositions, uniting the people, and striving to achieve the great rejuvenation of the Chinese nation is the historical experience of the CPC's propaganda work. Material production determines spiritual production, and the struggle and brilliant achievements of the CPC are the representation objects of red artworks. Spiritual production reflects material production, and red artworks filled with the aesthetic qualities of truth, goodness and beauty are an important form of representing the great founding spirit of the Party. In terms of representation techniques, the events and figures that carry the great founding spirit of the Party are selected as the theme of the painting, the composition layout that highlights the heroes and the people, the use of the red symbol of the party flag and the red star, and the visual contrast of warm and cold tones directly present the value connotation of the great founding spirit of the Party. Thanks to the dual rendering of the sublime subject matter and the sublime visual, the theatrical visual fusion makes the emotional value stimulated by the viewer rise to political identity and transforms the practical requirements of the great founding spirit of the Party into individual behavioral norms. The visual construction of red artworks fully demonstrates the unique value of image representation through the immersive theater effect.
花勇. 红色美术作品表征伟大建党精神的图像机理及视觉建构[J]. 《深圳大学学报》（人文社科版）, 2024, 41(5): 125-131.
HUA Yong. The Image Mechanism and Visual Construction of Red Artworks Representing the Great Founding Spirit of the Party. , 2024, 41(5): 125-131.
2024, Vol. 41 
粤公网安备44030502007936号