Abstract：The special fund for cultural industry development has been established for more than 10 years, and it has indeed played a positive role in the development of cultural industry. However, as a kind of “semi-planned” selective means of industrial policy, it undoubtedly has not straightened out the relationship between government and market, and has obvious negative impact on the function and effect of market resources allocation. For a temporary special fund, ten years is enough for us to objectively examine its historical achievements and current adaptability problems. Fortunately, relevant government departments have begun to reflect on these problems and promote relevant market reforms. Reflecting on the causes for the establishment of the special fund and the gains and losses of its development, this paper analyzes the background, rationality and problems of its market adjustment. We believe that the essential issue of the establishment and reform of the special fund is to clarify the specific goals and time limits of the special fund in the specific development stage of the cultural industry. If this core issue is not clear, the special fund is likely to evolve into a zero-sum game of “finding things to do for money”, and the so-called reform can only be reduced to a reform implemented just for the sake of reform, and the performance of financial resources may also be uncertain.
周正兵. 关于文化产业发展专项资金的反思：兼评市场化改革的局限性[J]. 《深圳大学学报》（人文社科版）, 2018, 35(5): 47-54.
ZHOU Zheng-bing. Reflection on the Special Fund for the Development of Cultural Industry: Comment on the Limitations of Relevant Market Reforms. , 2018, 35(5): 47-54.
2018, Vol. 35 
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