Abstract：ZHANG Xian, a celebrated poet in Northern Song Dynasty, drew a landscape and figure painting called Shi Yong Tu (《十咏图》) to commemorate his father ZHANG Wei. Many literary men made prefaces and postscripts to this picture, such as the preface by SUN Jue, the postscripts by CHEN Zhen-sun, YAN Yao-huan, XIAN Yu-shu and Tuo Tuo. CHEN Zhen-sun’s postscript of Shi Yong Tu is a precious historical document. It related the date, place and figures of the gathering of six old men, analyzed the relationship between ZHANG Wei and ZHANG Xian and the birth years of them. In addition, CHEN Zhen-sun recorded the date and his age when he composed the postscript. In the process of transmission, Chen’s postscript developed into two versions. One is the version of ZHANG Xian’s Shi Yong Tu, the other is the version of Zhou Mi’s Qi Dong Ye Yu(《齐东野语》) . Compared with the version of ZHANG Xian’s Shi Yong Tu, the prevailing version of Zhou Mi’s Qi Dong Ye Yu has many transcription errors and deliberate changes. This reveals that the version of Zhang’s Shi Yong Tu is more valuable and estimable. Furthermore, examination of SUN Jue’s preface to Shi Yong Tu suggests we should pay special attention to SUN Jue’s record about ZHANG Xian’s birth year.
谭新红, 米昊阳. 《十咏图》陈振孙跋考略[J]. 《深圳大学学报》（人文社科版）, 2018, 35(2): 144-151.
TAN Xin-hong, MI Hao-yang. Research on CHEN Zhen-sun’s Postscript of Shi Yong Tu. , 2018, 35(2): 144-151.
2018, Vol. 35 
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