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Political Tendency and Narrative Strategy in Western Postmodern Visual Arts |
LIU Yong-liang1, LIU Xin2 |
1.College of Art and Communication, Anhui University, Hefei, Anhui, 230011; 2.College of fine arts,Guangxi Arts Institute, Nanning, Guangxi, 530022 |
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Abstract With the beginning of postmodern culture, since 1950s images with political tendency frequently appear in Western visual arts, among which political pop art and the artworks and images reflecting identity politics and post-colonialism highlight the political tendency in artistic creation. Political significance is usually implicit in postmodern artistic creation. This subtle technique refers to the value of postmodern culture. Growing from modernism, postmodernism deconstructs all the texts, meanings, representations and symbols, and allows infinite multifaceted interpretations. In exploration of their rights and positions, postmodern artists attempt to utilize the narrative strategies of deconstruction, appropriation, ridicule, metaphor and irony to make their works political in an implicit way so as to achieve the politicization of art.
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Received: 13 March 2016
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