空间位移下宋代女性文学的拓展与新变

Abstract
Figure/Table
References
Related Citation (15)

Download: PDF (636 KB) HTML (1 KB)
Export: BibTeX | EndNote (RIS)

Abstract Spatial experience has important basic significance for literary expression. Under the traditional gender order and spatial pattern that strictly separated inside and outside, spatial displacement had an important influence on the development of female literature in the Song Dynasty. In addition to short-distance daily travel, female writers in the Song Dynasty generally increased their long-term and long-distance travel activities, mainly including travel due to war, travel with family, travel for daily livelihood, etc. Spatial displacement was an important way for females in the Song Dynasty to obtain non-daily spatial experience. It not only brought profound and rich foreign experiences to females in the Song Dynasty, but also added heterogeneous resources to their literary creations, promoting the transformation of ancient females’ literature from “medieval” to “modern”, mainly manifested in spatial displacement caused the transformation of females’ identity from subject to object in the Song Dynasty, the awakening of local consciousness from missing the place faraway to missing the hometown, and the expansion of literary vision from single to multiple. As a result, the literature of the Song Dynasty deepened the emotional depth of creation, expanded the breadth of literary themes, and enhanced the ideological height of literature.

Key words： spatial displacement foreign experience Song Dynasty women's literature transformation

Received: 15 December 2023

PACS:

I206.2

	Service

	E-mail this article
	Add to my bookshelf
	Add to citation manager
	E-mail Alert
	RSS
	Articles by authors
	LIU Shuang-qin

Cite this article:

LIU Shuang-qin. The Expansion and New Changes of Women’s Literature in the Song Dynasty under Spatial Displacement[J]. , 2024, 41(1): 144-151.

URL:

https://xb.szu.edu.cn/EN/ OR https://xb.szu.edu.cn/EN/Y2024/V41/I1/144

[1] (美)段义孚.空间与地方:经验的视角[M].王志标译.北京:中国人民大学出版社,2017.
[2] 杨义. 中国文化的精神:杨义自选集[M].上海: 上海三联书店,2017.414.
[3] 铁爱花.闺闱之外:宋代女性游览活动探析[J].江西社会科学,2017,(8):119-124.
[4] (宋)周应合.景定建康志[M].南京:南京出版社,2009. 1245.
[5] (明)陶宗仪.说郛[M].北京:中国书店,1986.
[6] (宋)刘斧.青琐高议[M].上海:上海古籍出版社,1983.36-37.
[7] 上海师范大学古籍整理研究所.全宋笔记(第9编)[M].郑州:大象出版社,2018.212.
[8] (日)滨田笃郎.疾病的世界地图[M].曾维贞译.上海:生活、读书、新知三联书店,2006.2.
[9] 江绍原. 中国古代旅行之研究[M].上海:商务印书馆,1935.5.
[10] (日)内山精也.宋诗能否表现近世?[A].朱刚译.周裕锴.第六届宋代文学国际研讨会论文集[C].成都:巴蜀书社,2011.250.
[11] (英)多琳·玛西.空间、地方与性别[M].毛彩凤,袁久红,丁乙译.北京:首都师范大学出版社,2018.232.
[12] 北京大学古文献研究所.全宋诗[M].北京:北京大学出版社,1998.
[13] 唐圭璋. 全宋词[M].北京:中华书局,1988.
[14] (宋)周煇.清波杂志[M].刘永翔校注.北京:中华书局,1994.333.
[15] (清)彭定求.全唐诗[M].北京:中华书局,1960.
[16] 李萌昀.旅行故事:空间经验与文学表达[M].北京:人民文学出版社,2015.2.
[17] 王姗姗,宗秀蔡.地方感与生态身份认同——梭罗生态观新读[J].鄱阳湖学刊,2012,(2):85-92.
[18] 徐培均. 李清照集笺注[M].上海:上海古籍出版社,2002. 196-197.
[19] 杨果,廖寅.宋代“才女”现象初探[A].漆侠.宋史研究论文集:国际宋史研讨会暨中国宋史研究会第九届年会编刊[C].保定:河北大学出版社,2002.612.
[20] Guy Cook.Discourse[M].Oxford:Oxford University Press,1989.
[21] 杜华平. 文学地理学研究的突围与概念体系的建构[J].临沂大学学报,2016,(3):56-62.
[22] 唐利群. 现代文学的地方性与中国形象——以对三个文学文本的解读为中心[J].人文丛刊,2006,(6):251-252.
[23] 陈玉兰. 论李清照南渡词核心意象之转换及其象征意义[J].文学遗产,2008,(3):77-82.
[24] 查正贤. 暮归的诗学:孟浩然的诗艺习得与超越[J].文学遗产,2006,(4):65-73.
[25] (宋)李献民.云斋广录[M].上海:中央书店,1936.82.
[26] (宋)洪迈.夷坚志[A].纪昀.文渊阁四库全书(第1047册)[M].台北:台湾商务印书馆,1986.361.