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| From Realism to Classicism: The Value of Chinese Centennial Literature and Art Trends |
| PAN Shui-ping |
| Institute of Taoism and Religious Culture, Sichuan University, Chengdu, Sichuan, 610064 |
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Abstract In the 20th century, the literary world of modern China was actually veiled and interwoven with a kind of literary and artistic symptoms that were rather sophistry, generality, and attachment, that is, "realism" to interpret the dislocation, paradox, concealment, obscurity, and intolerance of Chinese classical cultural traditions. It should be said that this is inseparable from the origin of classicism that was dusty or even misread in China in the 20th century. Regarding the interpretation of Chinese classical cultural traditions by "realism" rather than "classicism", the inherent thinking logic and the problem of the source of discourse hegemony are distorted, flawed, and marginal. In the current academic circles, it has not attracted the corresponding high attention, clear description, profound criticism and rational correction, and it is still in the situation of being blind. This is undoubtedly extremely regrettable.It is worth mentioning that through the historical context of the Chinese literary and art phenomena that have been superimposed in the century of the 20th century, it can be clearly seen that the mainstream consciousness has undergone rapid changes, the integration of multicultural horizons, and the shift of theoretical construction values. It is precisely the main cause of the inner vein that caused this phenomenon of sexual literature and art. It is necessary to explore this topic in an extended way. It can also provide people with a deep understanding and overall grasp of the fate of "classicism" in China, and provide a kind of internal discussion that points to high distance and a new and sharp modern differentiation.
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Received: 10 February 2018
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2018, Vol. 35 
