|
|
|
| The Comparative Perspective and Holistic View of Aesthetics of the “Urban Generation” Filmmakers |
| ZHAN Di1, 2 |
1.College of Arts and Journalism, Sichuan University, Chengdu, Sichuan, 610044;
2. College of Media and Communication, Shenzhen University, Shenzhen, Guangdong, 518060 |
|
|
|
|
Abstract In contemporary movie industry, in chronological sense, “the sixth generation filmmakers” are called “the urban generation” by Western academics. They use their cameras focusing on the ever changing urban society, and try to engage into a dialogue with their Western counterparts in aesthetics. The “absent” Chinese traditional culture is actually “present” in all their movies, providing them with rich spiritual nourishment. As to the techniques, the Italian Neo-realism, the French New Wave, and American New Hollywood allow them a deeper understanding of modernity. Their movies, aesthetically linking tradition and reality, and East and West, are shaped to have a holistic view of aesthetics with a bit of “neo-realism”.
|
|
Received: 01 February 2015
|
|
|
|
|
|
[1] 陈惇,刘象愚.比较文学概论[M].北京：北京大学出版社,2000.4.
[2] [法]乔治·萨杜尔.世界电影史[M].徐昭,胡承伟译.北京：中国电影出版社,1995.393.
[3] 程青松,黄鸥.我的摄影机不撒谎[M].北京：中国友谊出版社,2002.163.
[4] 彭吉象.影视美学[M].北京：北京大学出版社,2009.59.
[5] [美]罗伯特·艾伦,道格拉斯·戈梅里.电影史：理论与实践[M].李迅译.北京：中国电影出版社,1997.108.
[6] [美]杰姆逊.后现代主义与文化理论[M]. 唐小兵译.西安：陕西师范大学出版社,1986.148.
[7] 尹鸿.跨越百年：全球化背景下的中国电影[M].北京：清华大学出版社,2007.240.
[8] 张扬在北京大学接受采访时的讲话 [EB/OL].人民网http://ent.people.com.cn/GB/11782527.html
[9] 杨君.笑容：与媒体英雄面对面 [M].北京：中国电影出版社,2000.18. |
|
|
|
2015, Vol. 32 
