On Duhuang Patterns and Cultural Exchange of the Sui and Tang Dynasties
CHEN Zhen-wang1, 2
1. College of History and Cultur, Lanzhou University, Lanzhou, Gansu, 730020; 2. Institute for Cultural Industries, Shenzhen University, Shenzhen, Guangdong, 518060
Abstract：Based on central plain culture and open to foreign cultures, Dunhuang patterns are timeless and boundless. In the long history of development, they represent the spirit of integration and inclusiveness. Focusing on the evolution of Dunhuang patterns and the cultural exchange of the Sui and Tang Dynasties, this paper discusses the historical context of the Dunhuang patterns, elaborates on their evolution and innovation, analyzes the collision and integration of different cultures during the cultural fusion between the south and the north in the Sui and Tang Dynasties, and interprets the integration of Duanghuang patterns with foreign cultures and the evolution of the patterns during Tubo occupation with curling grass patterns, Lianzhu grain, and grape pomegranate patterns as examples. The discussion is aimed to study the communication and integration of Dunhuang patterns with exotic cultures, the external and internal factors contributing to the unique artistic style of Sui and Tang Dynasties, thereby exploring the aesthetic significance and spiritual core of Dunhuang patterns of Sui and Tang Dynasties from a historical perspective.
陈振旺. 莫高窟隋唐图案的历史演变和文化交流[J]. 《深圳大学学报》（人文社科版）, 2015, 32(6): 144-150.
CHEN Zhen-wang. On Duhuang Patterns and Cultural Exchange of the Sui and Tang Dynasties. , 2015, 32(6): 144-150.
2015, Vol. 32 
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