Abstract：As a component of Jian'an poetry, CAO Cao's Qiu Hu, CAO Pi's Breaking Willows, and CAO Zhi's Flying Dragon had different creative backgrounds and writing times, but they all participated in literary interpretation based on the story structure of “meeting between humans and immortals”, which were unique in Yue-fu Poetry about immortals. Taking the above works as the center, it could be seen that San CAO's Yue-fu about immortals had evolved from “depicting the image of immortals” and “depicting the scenes of the immortal world” in the Han Dynasty to “narrating the stories of encountering immortals”, allowed the imperial and noble consciousness of “seeking immortals”, especially the experience of “expressing aspirations”, to be personalized. This provided more inspiration and possibilities, and promoted the development process of poetry about immortals in middle ages. The reason why Taoist immortal narrative in San CAO's Yue-fu Poetry, was not only due to the influence of the trend of immortality since the Warring States and Han dynasties, but also because the Taoist biographical knowledge system, especially the comprehensive biographies of Taoist immortals Immortal Biography, repeatedly portrayed immortal stories, provided a religious foundation and narrative model for related creations. Its literary significance was to make special contributions to verifying the evolution of Taoist novels. The fusion and symbiosis of Yue-fu poetry about immortals and Taoist immortal narrative occurred very timely in the Jian'an era, which may be an inevitable result of the development of literary and religious history.
阳清. 三曹乐府游仙诗道教仙传叙事的文学意义[J]. 《深圳大学学报》（人文社科版）, 2024, 41(3): 27-36.
YANG Qing. The Literary Significance of Taoist Immortal Narrative in the Poems of San CAO's Yue-fu. , 2024, 41(3): 27-36.
2024, Vol. 41 
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