Abstract:The development of network technology and virtual reality technology has brought space for humans to imagine and showcase themselves. In the world of virtual reality, various imaginations of human beings can be realized through artificial intelligence, thus foreseeing the future and marking the arrival of the post human era. In science fiction movies, the human body of natural life is replaced by the body of post human technology, the body of media, and the data-driven body. It can be the body of cyberborg, which coexists in various forms such as carbon based, silicon based, and virtual information programs. At this time, race, gender, and identity are all alienated. At this point, the “post human body” has greater inclusiveness, and in the virtual social landscape, the human body also becomes a part of the post human body. In science fiction movies, the narrative of post human bodies is described as heterogeneous bodies, exhibiting fragmented, anti linear, cross media, interactive, landscape oriented, and immersive narrative characteristics. The body imagination and narrative expression in science fiction movies have changed human thinking patterns and aesthetic concepts, breaking the traditional philosophical proposition of human subjectivity, and thus forming a heterogeneous aesthetics. Heterogeneous aesthetics relies on the development of material technology, but its aesthetic object is not a completely objective object. It is void and heterogeneous, and heterogeneous aesthetics emphasizes the process experience of human participation. It is experiential and ecological. It is an ecological encounter process of human existence.It can be seen that heterogeneous aesthetics is not only a transcendence of nihilism; It is also a continuation of ecologism.
刘永亮. 后人类语境下科幻电影叙事中的身体想象与异质美学[J]. 《深圳大学学报》(人文社科版), 2023, 40(6): 150-159.
LIU Yong-liang. The Body Imagination and Heterogeneity Aesthetics in the Narrative of Science Fiction Movies in the Context of Post Human. , 2023, 40(6): 150-159.