Abstract：In the late Qing Dynasty and the Republic of China, the criticism on QIN Guan’s Ci-poems is mainly reflected in three aspects: First, is the criticism on main body of creation. Ci-poetry theorists mainly comment on their artistic ability from two aspects of Ci-poetry heart and Ci-poetry talent, and discuss the origin of their Ci-poems from two aspects: Wen-Wei, the distant ancestor, and Ou-Liu, the near successor. The second is the criticism on creative characteristics. Ci-poetry theorists mainly discuss their creative skills from three aspects: the combination of poetic charm, the tempering of words and sentences, and the creation and construction of artistic conception. They also discuss their artistic styles from the aspects of melancholy, clearness, moderation, elegance and depression. The third, is the criticism on position of Ci-poetry history. Ci-poetry theorists mainly comment on the position of literature history from two aspects: Ci-poetry writer comparison and historical evolution. In the late Qing Dynasty and the Republic of China, the comment on QIN Guan’s Ci-poems was carried forward in the direction of exploring the source, tracing the flow and pursuing the new change. Its perspective was rich and varied, and its foothold mostly showed the more normal characteristics, which provided a solid platform for better understanding its works.
胡建次. 晚清民国时期词学批评中的秦观论[J]. 《深圳大学学报》（人文社科版）, 2020, 37(3): 131-139.
HU Jian-ci. The Criticism on QIN Guan’s Ci-poems in the Period of the Late Qing Dynasty and the Republic of China. , 2020, 37(3): 131-139.
2020, Vol. 37 
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