|
|
|
| Types, Policies and Roadmap of Regional Development of Chinese Film and Television Industry |
| HU Peng-lin |
| Institute of Cultural Industry, Shenzhen University, Shenzhen, Guangdong, 518060 |
|
|
|
|
Abstract Under the adjustment of global film and television industry and the COVID-19 pandemic, Chinese film and television industry is speeding up its reshuffle. At present, there are three types of companies in Chinese film and television industry: companies with the whole industry chain, companies focusing on film and television shooting, and companies focusing on film and television investment. In terms of the number of radio and television program production agencies, Beijing, Shanghai, Hangzhou and Horgos are among the top. In terms of the aggregation of key film and television companies, Beijing and the Yangtze River Delta region account for more than 80% of the country. In terms of the number of cinemas, they are evenly distributed in major cities. In terms of box office, the four economically developed coastal provinces of Guangdong, Jiangsu, Zhejiang and Fujian and the four first-tier cities of Beijing, Shanghai, Guangzhou and Shenzhen contributed the most. Film and television policies in key regions are mainly concerned about four aspects: production, broadcast and awards, companies and talents, investment and financing, and activities in film and television industry. All regions should increase policy support for original film and television scripts, film and television production talents, and R&D in film and television industry. In accordance with their regional characteristics, cultural resources, policy permission and other factors, the key regions follow four paths for the development of their film and television industry: film and television bases, film and television production, film and television technology, film and television policies. In the context of unbalanced and inadequate development of regional film and television industry, all regions should speed up improving film and television policies and development paths, boost the consumption of film and television culture, and promote the high-quality development of regional film and television industry.
|
|
Received: 12 January 2022
|
|
|
|
|
|
[1] 臧志彭,严艳璐.世界湾区影视娱乐产业集聚格局与粤港澳应对策略——基于2008-2017年全球上市公司数据的区位熵分析[J].同济大学学报(社会科学版),2020,31(5):52-61.
[2] 王泓凯. 影视产业投融资模式与风险控制策略[J].财经界,2019,37(3):56.
[3] 花建. 上海建设全球文化中心城市:机遇、特色、重点[J].深圳大学学报(人文社会科学版),2017,34(1):67-74.
[4] 中国电影报社.国家电影资金办2019年度院线影院电影票房年报[N].中国电影报,2020-01-15(1).
[5] 黄鸣奋,黄国威.我国网络大电影及其产业化思考[J].福建论坛(人文社会科学版),2017,37(4):14-20.
[6] 杨梦露. 经济开发区影视产业税收政策研究——以霍尔果斯经济开发区为例[J].商业会计,2019,40(21):125-129.
[7] 国家电影局.关于促进影视基地规范健康发展的意见[N].中国电影报,2022-03-09(16).
[8] 邹峰. 2017年广播影视科技行业研究方向展望[J].有线电视技术,2017,24(3):13-15. |
|
|
|
2022, Vol. 39 
