|
|
Aesthetic Dimension and Poetic Approach of Overseas Chinese Scholars in the Study of Modern Chinese Literature |
SU Wen-jian |
College of Liberal Arts,Huaqiao University/Center for Literature and Translation Studies,Huaqiao University,Quanzhou,Fujian,362021 |
|
|
Abstract Aesthetics is essential to the establishment and development of the discipline of overseas Chinese modern literature.With the development of the discipline,its research paradigm shows the transition from highlighting literariness/aestheticism from de-political standpoint of view,to culture-oriented approaches with little and even no attention to literariness/aestheticism,and then to much attention given to literariness/aesthetics,history and modernity and the re-examination of their relations in the post-theory era.Taking “decadence”as an important starting point,overseas Chinese scholars consciously projected the western aesthetic modernity theory into the study of modernist novels in the 1930s and 1940s,and conducted a unique cultural observation of the aesthetic modernity of modern Chinese literature.They are cautious about the applicability of western critical theories,and show a cognition trend that is different from the traditional historical and aesthetic view of literature of Chinese mainland.The overseas study of Chinese modern literature and the observation of aesthetic modernity of Chinese modern literature from the perspective of western critical theory are interrelated.This is of great significance to promoting the formation and construction of trans-regional “Chinese modern poetics”.
|
Received: 20 June 2020
|
|
|
|
|
[1] 周宪.审美现代性的四个层面[J].文学评论,2002,(5):45-54. [2] 郑闯琦.从夏志清到李欧梵和王德威——一条80年代以来影响深远的文学史叙事线索[J].文艺理论与批评,2014,(1):9-14. [3] 刘小枫.现代性社会理论绪论[M].上海:上海三联书店,1998.307. [4] 李欧梵.现代性的追求[M].北京:生活·读书·新知三联书店,2000. [5] 李欧梵.上海摩登:一种新都市文化在中国(1930~1945)[M].毛尖译.北京:北京大学出版社,2001.302. [6] 李欧梵.徘徊在现代和后现代之间[M].上海:上海三联书店,2000. [7] 李凤亮.浪漫·颓废:都市文化的摩登漫游——李欧梵的都市现代性批判[J].宁夏社会科学,2006,(6):138-142. [8] 王德威.落地的麦子不死[M].济南:山东画报出版社,2004. [9] 王宏志.张爱玲与中国大陆的现代文学史书写[A].刘绍铭,梁秉钧,许子东.再读张爱玲[C].济南:山东画报出版社,2004.251-296. [10] 许子东.无处安放:张爱玲文学价值重估[M].西安:陕西人民出版社,2019.序1-9. [11] 张英进.从反文典到后文典时期的超文典:作为文本和神话的张爱玲[J].当代作家评论,2012,(6):37-49. [12] 严家炎.新感觉派小说选[M].北京:人民文学出版社,1985. |
|
|
|