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| Supervision and Regulation of Cultural and Creative Products in Internet+ Era |
| XU Li-yong |
| Overseas Cultural Facilities Construction and Management Center at Ministry of Culture, Beijing, 100020 |
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Abstract Since Lu Yinti, an American scholar in communication studies, put forward the “gatekeeper theory” in the late 1940s, the theory has been playing a very important role in contemporary mass media such as newspapers, radio, film and television. In network information era, however, the conventional linear gatekeeping pattern, which follows the path of “production-censorship-dissemination” and focuses on the dissemination chain, has gradually lost its dominance. In Internet+ era, there forms a diverse non-linear producer-centered gatekeeping pattern. This new pattern reconstructs conventional “gatekeeper theory”, manifesting new characteristics. Meanwhile, the Internet+ era has brought about new changes and requirements in regulation of cultural and creative products. It is high time for us to construct new gatekeeping patterns for cultural and creative products in Internet+ context, and explore new ways of regulation.
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Received: 10 June 2017
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2017, Vol. 34 
