Abstract：Since the 19th National Congress of the Communist Party of China, the importance of “common prosperity” has been put on the agenda again and given new meaning in the new era. In this context, the third distribution has become an important strategy regarding common prosperity in the top-level design of the state in recent years, and cultural industry is closely related to the third distribution. Specifically, the third distribution provides two opportunities for China's cultural industry. On one hand, it pushes for active and effective adjustment in the internal resource distribution structure of the cultural industry. On the other hand, it opens up channels for capital recycling and redistribution between cultural industry and other fields. Besides, the third distribution helps promote the transformation of China's cultural industry, which is mainly reflected in two aspects. One is to support greater involvement of non-public cultural enterprises in major national strategies so as to build a new relationship between cultural industry and the state. The other is to rationally allocate and coordinate the resources of cultural industry and public cultural service. At the same time, we should pay attention to following issues. Firstly, we should beware of cross-domain secondary conflicts brought about by capital risks. Secondly, we should guard against cultural security problems as a consequence of ideological risks. Thirdly, we should improve the ability to hand institutional risks in practice.
韩晗. 文化产业与三次分配有何关联：机遇、转型与注意事项[J]. 《深圳大学学报》（人文社科版）, 2021, 38(6): 52-58.
HAN Han. Relationship between Cultural Industry and the Third Distribution: Opportunity, Transformation and Major Concerns. , 2021, 38(6): 52-58.
[1] 冯华.贫富差距到底有多大?[N].人民日报,2015-01-23(17). [2] 赵林如. 市场经济学大辞典[M].北京:经济科学出版社,1999.210. [3] 余源培. 邓小平理论辞典[M].上海:上海辞书出版社,2004.652. [4] 厉以宁. 超越市场与超越政府——论道德力量在经济中的作用[M].北京:经济科学出版社,1999.160-161. [5] 习近平.扎实推动共同富裕[EB/OL].求是网.http://www.qstheory.cn/dukan/qs/2021-10/15/c_1127959365.htm,2021-10-20. [6] 马克思恩格斯全集(第30卷)[M]马克思恩格斯全集(第30卷)[M].中共中央马克思恩格斯列宁斯大林著作编译局编译.北京:人民出版社,1995. 36. [7] 夏赞忠等. 精神生产概论[M].长沙:湖南出版社,1991.142. [8] Vivienne Leung, Kimmy Cheng, Tommy Tse.Celebrity culture and the entertainment industry in Asia:Use of celebrity and its influence on society, culture and communication[M].Bristol:Intellect Books, 2017.22. [9] 赵毅衡.两种经典更新与符号双轴位移[J].文艺研究,2007(12):4-10+182. [10] Brockington D.Celebrity and the environment: Fame, wealth and power in conservation[M].London:Bloomsbury Publishing,2009.37-39. [11] Rooney P M, Ottoni-Wilhelm M, Wang X, et al.Dynamics of American giving: Descriptive evidence[J].Nonprofit and Voluntary Sector Quarterly,2021,50(4):729-752. [12] 商务部:2019年中国文化产品进出口总额同比增8.9%[EB/OL].中华人民共和国商务部.http://tradeinservices.mofcom.gov.cn/article/yanjiu/hangyezk/202003/100767.html,2021-10-20.
2021, Vol. 38 
粤公网安备44030502007936号