Abstract：With the wide acceptance of Chinese contemporary art in international arena, a wide range of artists, curators, and architects are passionately engaged in China’s urban transformation. The art intervention in urban China has become an overt question. However, research in this regard is scarce. This paper seeks to make a literary review of works on arts and geography in Western academic world, and discuss specific cases to illustrate the basic patterns of art invention in urban China. The influence of these patterns upon Chinese cities can be categorized into six types: the differentiation pattern in urban villages; artistic and commercial pattern based on industrial heritage in the transformation of old industrial cities and old factories; artistic taste and symbolic capital pattern in the newly constructed real estate projects and urban complexes; petit bourgeois consumption pattern in tourist cities and towns; government support pattern in creative clusters; instant activation pattern of the city’s art biennale.
李蕾蕾. 中国城市转型之艺术干预基本模式初探[J]. 《深圳大学学报》（人文社科版）, 2015, 32(5): 128-134.
LI Lei-lei. A Preliminary Study on Art Intervention Models in Urban China Transformation. , 2015, 32(5): 128-134.
[1] Davidson, M. and Lees, L. New-build‘gentrification’and London’s riverside renaissance[J]. Environment and Planning A,2005,37(7): 1165-1190. [2] Smith, D.‘Studentification’: the gentrification factory? In Atkinson, R. and Bridge, G. Gentrification in global context: The new urban colonialism[M].London: Routledge,2005.73-90. [3] Badcock, B. Thirty years on: Gentrification and class changeover in Adelaide’s inner suburbs, 1966-96[J]. Urban Studies,2001,38(9): 1559-1572. [4] Phillips, M. Rural gentrification and the processes of class colonization[J]. Journal of Rural Studies,1993,9(2):123-140. [5] Zukin,S. Loft living: culture and capital in urban change[M]. London: Radius,1988.58-110. [6] Ley,D. Artists, Aestheticisation and the Field of Gentrification[J].Urban Studies,2003,40(12):2527-2544. [7] 何深静、钱俊希、徐雨璇、刘斌.快速城市化背景下乡村绅士化的时空演变特征[J].地理学报,2012,67（8）：1044-1056. [8] [美]理查德·佛罗里达.创意阶层的崛起[M].司徒爱勤译.北京：中信出版社,2010.1-77. [9] [英]查尔斯·兰德利.创意城市：如何打造城市创意生活圈[M].北京：清华大学出版社,2009.1-65. [10] Markusen, A. Urban development and the politics of a creative class: evidence from a study of artists[J]. Environment and Planning A,2006,38(10):1921-1940. [11] Bianchini, F. and Parkinson,M. Cultural policy and urban regeneration: The West European experience[M]. Manchester University Press,1993.73-89. [12] McHenry, J. A. Rural empowerment through the arts: The role of the arts in civic and social participation in the Mid West region of Western Australia[J]. Journal of Rural Studies,2011,27:245-253. [13] Hawkins,H.Gevyranhy and art. An expending field:site,body and practice [J].progress in Human Gevyranhy,2012,37(1)：52-71. [14] 杨莉莉,李蕾蕾.粤港澳地区当代艺术产业发展路径的内部差异与区域合作[A].叶朗.北大文化产业评论[C].北京：北京联合出版公司,2013.162-174. [15] 李蕾蕾.逆工业化与工业遗产旅游开发：德国鲁尔区的实践过程与开发模式[J].世界地理研究,2002,11(3): 57-65. [16] 吴迪.创意798：No1-798艺术区13个创意店铺专访[M].长春：吉林美术出版社,2010.1-57. [17] 李蕾蕾.中国文化创意产业集聚区（或园区）的经济与政治分析：网络集群与空间政治[A].胡惠林,陈昕.中国文化产业评论（第15卷）[C].上海：上海人民出版社,2012.247-263. [18] 周尚意,杨鸿雁,孔翔.地方性形成机制的结构主义与人文主义分析—以798 和M50 两个艺术区在城市地方性塑造中的作用为例[J].地理研究,2011,10（9）: 1566-1576.
2015, Vol. 32 
粤公网安备44030502007936号