Abstract：Since they made their first appearance in China in 2009, cultural assets and equity exchanges have proven controversial. Currently, stamp coin cards have replaced the service of dividing up shares of art works and become favorites at the capital market. However, it is against this context that cultural assets and equity exchanges have stepped into an ambiguous situation in the game between administration and market forces, and hence gone beyond the supervision of the securities regulatory authorities and are facing certain financial risk. However, Shenzhen Cultural Assets and Equity Exchange at the same time has developed new ideas out of conventional rules. Based on the bottom line of the law and its self-positioning, it explores through reform and innovation to construct a multiple-level capital market in cultural field, and is becoming an important accelerator for promoting China’s cultural industry. Therefore, this paper advises that the government should actively guide this new trend and through competition make Shenzhen Cultural Assets and Equity Exchange a leader in the cultural assets and equity exchange market. In the meantime, the government is also advised to tight regulation on stamp coin cards to prevent financial risks. Only with these efforts can cultural assets and equity exchanges make a giant leap from chaos to order.
周正兵. 我国文化产权交易所发展状况、问题与趋势[J]. 《深圳大学学报》（人文社科版）, 2017, 34(1): 75-80.
Zhou Zheng-bing. The Development, Problems and General Trend of China’s Cultural Assets and Equity Exchanges. , 2017, 34(1): 75-80.
2017, Vol. 34 
